Music IN ONE GO! - Top 10 Forgotten Nu Metal Records

Credits to the owner (c).

For those who didn't know, Nu metal is a sub-genre of metal which fuses a lot of music elements you wouldn't imagine would mesh well with metal, which includes; hip-hop, electronic, funk etc. 

Believe it or not, Nu metal has a large impact on metal/rock music until today, encouraging metal/rock acts to experiment with their sound and to not be afraid of thinking outside the box. This genre was so big in the late-90's artist from this genre are still active as of today. 

But, despite of it's everlasting influences, Nu metal just ended being irrelevant by today's musical standards. Forcing bands of this genre to either abandon their Nu metal image altogether and go full on metal or experiment in the fields of alternative rock. 

As the first episode of Music IN ONE GO!, I have gathered 10 Nu metal records that some of us used to loved and have forgotten as time goes by. My basis for this list are simple:

1. These records must have failed to succeed at any charts, but has gained attention from the underground scene.
2. These records are completely unnoticed by the time of its release, but has gained attention after the band has achieved success with succeeding records. 
3. These record have succeeded on the charts and have very popular singles, but has completely vanished from the radar, along with the band themselves, as time goes by. 

Keep in mind that this is not an exhausted list. There are many more forgotten Nu metal records out there that might not have made it to this specific list. I have gathered the ones that I am familiar with. 

Time to wash those baggy clothes and wear them again, spike up your haird dye them with color and wear all your piercings 'cause here are...

Top 10 Forgotten Nu Metal Records

1. Tribal Ink, Surrounded By Freaks (2003)

If you're one of those people who pirated Linkin Park's single What I've Done, you've probably heard of this band, or more specifically their song Refugee. Taken from the album Surrounded By Freaks, this Swedish rock band has completely shown great potential of showcasing edginess to their more alternative driven Nu metal record. It's no doubt a fan mislabeled their song to those of Linkin Park's, Tribal Ink has seriously picked up what Linkin Park has left off from Meteora.

2. Crazy Town, Darkhorse (2002)

Let's be honest, no matter how bad the song is, we all used to love Crazy Town's mega-hit single Butterfly. But it looks like the band themselves hated that record as well, and their follow-up Darkhorse is case-in-point. Featuring heavier and much more aggressive sounds, Shifty and the crew has proved that they are much better than the Red Hot Chilli Peppers rip-off band they used to be. Sadly, seems like almost everyone gave up on them before they could prove they're worth the time. 

3. Hed PE, Blackout (2003)

In case you didn't know, PE stands for Planet Earth. Hed stands for something that I honestly don't know and probably never will. Regardless of their confusing name, this band has achieved moderate success at the billboard charts with this record and has been touring with acts like Korn and System Of A Down. To me, that's a lifetime achievement. 

4. Static X, Wisconsin Death Trip (2003)

If you have trouble listening to Ariana Grande's sweet, but non-audible voice, wait until you hear this guy. Wayne Static and  company debuted their Industrial-inspired Nu metal record Wisconsin Death Trip. Imagine flashing neon lights on an underground pub with a pretty hot mosh pit, this is probably the record you should give to the DJ. Now enjoy dancing to the song and try to sing every single word this guy's saying. 

5. Thousand Foot Krutch, Set It Off (2001)

You know there has to be at least one Christian metal act on this list and Thousand Foot Krutch definitely deserves that spot. After all that hard work Trevor McNevan had to go through, his efforts finally pay-off with their first indie label record Set It Off. With a little help from his friends, T-Rawk has gained success locally with this hip-hop inspired nu metal record and has gained even more attention after the success of their follow-up Phenomenon. 

6. Incubus, Enjoy Incubus EP (1997)

Before vocalist Brandon Boyd looked like a slimmer, sexier version of Rob Thomas of Matchbox Twenty with a beard, he used to look like a cave man with dreadlocks and he smells a lot like a crack head. This EP serves as the band's first major label release which features remastered versions of songs from their first record Fungus Amongus made to sound a bit closer to the Nu metal sound we're all familiar with S.C.I.E.N.C.E. Don't worry, the lyrics haven't changed, they still love cocaine. 

7. Helmet, Meantime (1992)

The oldest record of this list, this record takes us back to the early years of creating Nu metal. Sure the band themselves hated to be classified as Nu metal, it's completely understandable. The record itself sounded more alternative than Nu metal. But if Nu metal acts praises this band and consider them as heroic inspirations, even going as far as featuring vocalist Paige Hamilton on Linkin Park's latest release The Hunting Party, the deserve a spot on this list.

8. Mushroomhead, XX (2001)

This list can never go on without a Slipknot-knock off band, or it was actually Slipknot who is the rip-off. Doesn't really matter, they're both cool with each other now. But no offense, they both sound the same, at least just a tad bit different. If Slipknot went more industrial, it's the Mushroomhead, if the Mushroomhead went with a more Nu metal sound, it's Slipknot. Don't get me wrong, they both sound really good in what they do and I'm happy that both have been very essential and even friendly to one another nowadays. If only the fans could stop this war like what the band members themselves had. 

9. Alien Ant Farm, Anthology (2001)

The most family friendly record of this list, this Cali based rock band has hit the airwaves and has gained success on the charts with their pop rock inspired Nu metal debut album Anthology. I personally used to be very dismissive about this band, seeing them nothing but a cash cow on the Nu metal scene by just making a Nu metal version of Micheal Jackson's Smooth Criminal as their first single. Perhaps I was a bit unfair, even their follow-up single Movies proves that they can establish an image of their own. 

10. Evanescence, Fallen (2003)

Easily the most successful record of this list. We're talking about chart topping singles, Top 5 at the Billboard charts. Singles played everywhere 24/7, dozens and dozens of covers from radio, YouTube to American Idol. We're talking about Grammy nominations on top of Grammy nominations and Grammy awards on top of Grammy awards. Some might argue they are the pop version of Lacuna Coil, but these people are thinking way too much. Amy Lee and her friends have successfully injected Girl-power to the Nu metal industry and by doing so have gained massive success throughout the entire world. After that, it was just a spiral downward journey for the band as the hype goes colder and colder each record. Where are they now? That's the point, three albums in and PUFF! They just disappeared. And that is why they deserve a spot on this list. 

Special Mention:Drowning Pool, Sinner (2001)

Puddle Of Mudd, Come Clean (2001)

Sevendust, Animosity (2001)

Now that was a long editorial. After going through all this genre binding music, maybe listening to Babymetal ain't such a bad idea..

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The Vamps "Meet The Vamps" - ALBUM REVIEW

That record that makes you dance on the first tracks, makes you sleep instantly mid-way and wakes you up at the last moment.

These are my exact thoughts while listening to this record. 

Planet Earth just can't seem to enough love for these boy bands. The Vamps are a group of British young lads that all met each other on YouTube and signed a record deal to release this album, at least that's what I know. 

It's quite funny, since they sound like OneRepublic if Ryan Tedder haven't hit puberty yet. some of there songs sound like that band as well, but we'll get into those in a while. 

To be honest, it was the songs Last Night and Somebody To You that made interested into listening to this record. And to the band's credit, those are actually really good songs. these singles felt like it was the best out of all the other songs from other boy bands out there, they just obliterate the rest.  

Last Night, in my opinion, is the best song of the record, hands down. This was a song that makes me want to go out and hang out with my best buddies and have the best party in the world and simply just end the night with all of us hammered. 

Somebody To You is one of favorite out-door summer-love song of late and is one of the best recently. Espescially when they add Demi Lovato into the single mix, her powerful voice adds more magic to the song.

The experience I have listening to those two songs were simply amazing. It was fun and energetic. Sadly, most of the other songs in this record wasn't able to capture that.

Right after the first three tracts, the energy starts to die down and it kept going and going. You can't blame me if I want boy bands to be full energy with their songs, but that was not the case here. 

Listening to this album made my brain into a mash potato. Is like going to a party on a beach, dance and drink for a few minutes and just sit down and watch everything and everyone having fun from a far in your seat for the rest of the night. Unless you came there to wander, the overall experience wasn't worth it. 

With singles full of immense spirit, Meet The Vamps seems too melodramatic. But if this is the kind of sound The Vamps was after, then I guess they did a good job because to be honest this album didn't have any bad songs, just painfully slow songs and pacing. 

Track-by-track thoughts:

1. Wild Heart - If you push your imaginations a little further, this song sounds like Counting Stars
2. Last Night - Definitely my favorite from the record
3. Somebody To You (ft. Demi Lovato) - I like this version better
4. Can We Dance - Dance? No, i'll pass. 
5. Girls On TV - Creepy lyrics for a good summer-love beat
6. Risk It All - Case-in-point, boy-band OneRepublic
7. Oh Cecilia (Breaking My Heart) - Energy's dying out
8. Another World - Seriously, this song is powerless my neighbor fell asleep right away
9. Move My Way - I feel a little jump-y, finally
10. Shout About It - If this keeps going, I might fall asleep
11. High Hopes - too bad the energy wasn't that high
12. She Was The One - Yeah, this record could use a song like this
13. Dangerous - Yeah, I can get behind this. 
14. Lovestruck - I swear, I've heard this song before somewhere in this very same record
15. Smile - Well, finally it's over. At least in a good way. 

Score: B-

The Vamps' Meet The Vamps now available. 

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Owl City- Ultraviolet EP REVIEW

What better time to write this review than night time? It's Owl City for crying out loud!

The sky is dark, the night is lovely, the stars are mesmerizing and you're all alone in front of your desktop. Let's take a few moments and listen to Adam young's infamous solo project- Owl City. Tonight, we venture with Adam's journal about the beauty in loneliness with his new 4-track EP, Ultraviolet. 

Now keep in mind that I am not an Owl City aficionado. I have not heard any of his materials before Ocean Eyes, and I have only heard a few songs from that record. I wasn't a fan of All Things Bright And Beautiful but I did like the first single, Alligator Sky. I have heard The Midsummer Station in its entire, but I feel like it's not the definitive Owl City experience. 

The EP is only composed of 4-tracks so it will be a short ride. But will it be a memorable and cherish-able one? LEt's find out as we begin our journey into Ultraviolet. 

The first track Beautiful Times (ft. Lindsey Stirling) is easily the most lyrically optimistic of the record. Sure it also has very sad elements to it like the rest of the record, but it was the composition, the relatable and beautiful lyrics, the lovely synths and graceful violin track from Lindsey Sterling is what made this song stand out. You can almost imagine Lindsey dancing around Adam gracefully, playing her violin while Adam is playing his keyboard in the middle of a star-y night.

Up All Night is like an homage to his older works but with a much more upbeat sound to them. The rhythm is catchy and you can easily hum to this song even without knowing what the song is about. Lyrically, this might be the most straightforward song next to the consecutive track. 

This Isn't The End features a sort of storytelling that starts of really depressing and ends with a little bit hope for the listeners that was touched by the lyrics. The fluidity of this specific track is flawless. Compared to the other songs, this is the one that is more stripped-down from the synths and is very piano centered.

The closing track of this record, Wolf Bite, is easily the most upbeat song of the record. With imaginative lyrics and an electro-pop beat, making this song the most dance-y out of the bunch. This song is the best way to end this record, on a high and happy note. 

Ultraviolet is no doubt an homage of Owl City's previous records. Imagine, it's like all of his previous records mashed into four songs. The fun part is that it feels like there aren't any filler songs, just four greatly composed and produced songs. This is like the essential Owl City for the new listeners, and a must-have for the fans. 

Track-by-track  thoughts:

1. Beautiful Times (ft. Lindsey Stirling) - beautiful.
2. Up All Night - dreamy.
3. This Isn't The End - hopeful. 
4. Wolf Bite - bubbly.

When you go to sleep, think of these songs.You will not regret it. 

Score: A

Owl City- Ultraviolet available now.

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Linkin Park - The Hunting Party ALBUM REVIEW

" I give you what you came for
This is not the same flow
Got a different method
But I still can bring the pain so "

Take a few moments and read vocalist Mike Shinoda's rap verse from the opening song Keys To The Kingdom above, because if there's anyway to describe what the Cali based rap-rock group Linkin Park has to offer in their six full length record The Hunting Party, is perfectly summed up in that verse. We'll get to that specific song later, let's talk about the album in its entire first. 

For some fans, this record might be a dream come true. The band gears up their DeLorean time machine, feeds it with all the trash they got from the nay-sayers, preps their flux capacitor and literally goes back in time to take notes from influential acts like Motorhead, Helmet, Eric B. & Rakim, Anthrax and almost every other acts that inspired Nu metal to make a not so Nu metal record, but something close. But it's okay, because in a way the record is not aiming to be a Nu metal record by any means, but rather the record is some sort of a diary about the band's journey of refining old school rock music. 

The opening track Keys To The Kingdom doesn't takes it time to slow down and introduce the record smoothly, the song is just firing missiles in every direction. That energy continues on with All For Nothing (ft. Page Hamilton of Helmet) and the album's lead single Guilty All The Same (ft. Rakim). Both songs have different structure to them which makes them both unique and identical in some way, but they are songs that could make the crowd go crazy like it was 1999. The Summoning/War is a song though that is kind of hard to swallow, especially if you didn't get the punk influence that the song offers. By the second half of the album it is undeniable that some of that high energy from the first half ran dry. Wastelands and Until It's Gone both are good songs, but both felt like the play-safe of the record. Drawbar (ft. Tom Morello of Rage Against The Machine) maybe the biggest surprise of the album, because if you're expecting Linkin Park/Rage Against The Machine/Audioslave going all out wrecking your house, this is not that song. It's more a soft piano instrumental track, but a good one though, makes you feel relaxed after all the boom-bastic noises we've heard before. Final Masquerade, is undeniably one of the most saddest Linkin Park songs of late, it's just that great it makes you feel sad. The closing track A Line In The Sand, I honestly have mixed feeling to it. It's like it's both a tribute track to the previous songs of the record and just a rehash of recent ideas because they're simply running out of it.

The band themselves pushed their limits to show everybody that they are still capable of pulling such amazing feats. Lead vocalist Chester Bennington still has that amazing vocal range, even though with age he sounds like he could use a glass of water badly. Mike Shinoda's verses are all relevant, both singing and rapping. He's rap verses are maybe few but it made him look like an underdog claiming victory from the big players, but he sings like a less-intimidating puppy. Guitarist Brad Delson and drummer Rob Bourdon are the members the felt like they've pushed their limits and channel their inner angst-y teenagers to bring out the fire of this record. Bassist Dave Farrell and DJ Joe Hahn are the ones that felt like they were left out in the background though, but their functionality still brings more fire power to the record. 

The Hunting Party may not be the Hybrid Theory III or Meteora 2.0 some fans were expecting. It's not a perfect record, but in terms of fluidity it is flawless. This is definitely the rock record every Linkin Park fan and regular head-bangers deserve.

Track by track thoughts:

1. KEYS TO THE KINGDOM - bring on the pain, brotha!
2. ALL FOR NOTHING (ft. Page Hamilton) - you know what would make this song more awesome? crowd vocals. Ya'know? like the ones from Thirty Seconds To Mars.
3. GUILTY ALL THE SAME (ft. Rakim) -  hit me with the double peds Rob. Just don't break your back again.
4. THE SUMMONING - Err, okay. I guess?
5. WAR - Is Chester calling out the astral beast? 
   
6. WASTELANDS - a bit generic, don't you think?
7. UNTIL IT'S GONE - play-safe, next. 
8. REBELLION (ft. Daron Malakian) - where's my crowd vocals with Serj Tankian? That would have been cool 
9. MARK THE GRAVES - the filler song
10. DRAWBAR (ft. Tom Morello) - Yeah, I could use some slow instrumental
11. FINAL MASQUERADE - BREAK UP SONG!!! *sobs*
12. A LINE IN THE SAND - you're running out of ideas, aren't you? 

Score: A

Linkin Park's The Hunting Party available now. 

TOP 5 BEST Linkin Park Music Videos

Considered as one of the finest Nu Metal band of its time? Check. Is the one and only band (so far) to reach ONE BILLION plus views on YouTube? Check. Has (so far) sold over 60 million records all over the world? Check. Internationally acclaimed? Is the top rock band on facebook with over 61+ million fans? Grammy award winning? One of, if not, the best and biggest rock band of our time? Yes, yes, yes, yes. 

Ahh... Linkin Park. With more than a decade of existence, this group never seizes to amaze their fans with their aggressive and chaotic music, that is also very easy to connect with, even if you're not an avid fan. And, with that long of time, Linkin Park has released more than 30 music videos. Today we pick the 5 of their best music videos and I yours truly, will give you the reasons why they deserve to be on the list. With that said, let's get started. 

5. Points Of Authority (Hybrid Theory, 2001) / Pts.Of.Athrty (Reanimation, 2002)

Two different interpretations, but it's still the same monster just with two different faces. Whether you prefer it to be in its classic Nu metal or it's 90s EDM remix or both (because why not choose both?), Points Of Authority will always be that one Linkin Park song you'd want to blast into your car and go drive to punch someone. 

One's live/studio footage and the other's a CGI-fest, but both videos are really good and awesome and I can't really pick one above the other. Plus we can't really have this list without a live/footage video and a CGI-fest one. So, I put them both together on the same spot, besides, they're just the same song. I'll have to let you guys decide on this one of which video is better, but for me they're both equally awesome. 

The live/footage version that came from their DVD Frat Party At The Pankake Festival.

The one made for the Reanimation version, was the only one of the two that was commercially released.

4. Lost In The Echo (Living Things, 2012)

This list won't be complete without Linkin Park's first interactive video. The video was co-directed by Jason Zada (Take This Lollipop) and Jason Nickel. Shinoda has stated that the video was made to "draw you into the world of the song".

For you to participate, you must go the official website of the music video, Lost In The Echo. You will then log into the website with your Facebook account, yes you will need one to participate. The site will then have access to your photos on your profile and use them in narrative that will concord to the storytelling of the video.  

The only real reason this never got higher on the list was because of its obvious errors and the lack of the band's appearance. 

 This is the non-interactive version of the video. So you can still watch it, even if you don't have Facebook (hooray!). 

3. Leave Out All The Rest (Minutes To Midnight, 2008)

Probably the cheesiest video of the list. Why? 'cause who would have imagined Mike Shinoda in an astronaut suit? On top of that, who would have thought that the band would make a video of them embarking on a Space Odyssey? But what really made this video so interesting was the narrative story behind it, and how it reflected so much to the song.

We see in the video that the band are doing their regular protocols on running their space ship. Chester, however, is the one who is being dramatic in his duties. of course, he's the one singing, but the question is why? We see him do his work with holograms like he's Tony Stark in space, goes with some argument with his crew/band mates, hangs out alone in dark places and he sits behind a giant window so he could see the stars and their destination. In all of those situations, you can tell what Chester's feeling through his actions and his facial expressions, guilt. At the end of the video, the band reaches their destination, which would also serve as their impending doom. So what does this tell us?

"When my time comes, forget the wrong that I've done..."

Don't you see it?

Highlight the text below

Chester killed himself and his crew/band mates by directing their spaceship towards the sun. He sits behind the giant window so he could see the sun, the yellow star, that will eventually kill them. 

It's just my theory behind the whole thing, but trust me, go see it for yourself. 

2. Numb (Meteora, 2003)

There are several reasons why this is considered one of, if not, Linkin Park's most powerful songs ever made. It has very catchy alternative tune to it. Lyrically, it is one of the most compelling lyrics you'll ever hear throughout the band's entire discography. Chester's power vocals also adds up to the experience. 

This video, was just spot on to message of the song. At one point, we were all teenagers trying to find their place in the world and in doing so, we disappoint a lot of our loved ones. Families, friends, you name it. We'e just kids who's trying to create the best image we can possibly make out of ourselves, to be the person we always wanted to be. But peer pressure and expectations prevent you from becoming that person. People will always see you as the kid who have shoes to fill in, even if you don't want those shoes, they will still try to make you.  

I am maybe getting a little personal here, but it's true. This is Linkin Park's most personal video ever and it definitely earned this spot. 

If watching this doesn't hit you hard, I don't know what will. 

1. What I've Done (Minutes To Midnight, 2007)

THIS SONG/VIDEO IS BUSINESS. At the height of their career where Nu metal seems to be dying, if not, dead. Linkin Park faces the greatest question of their career that every other band of the same genre had come to face, where to go next? Korn, Slipknot and Deftones went alternative metal. Limp Bizkit was still rap metal, but their sound leaned more towards the rock side. So, what's Linkin Park going to do?

Get a new producer, change their image, change their logo, change their sound completely. Thus, Minutes To Midnight was born. Of course they still have aggressive tracks like No More Sorrow and Given Up, of course they still rap rock with Bleed It Out, but the album in its entire just sound different from their previous releases. It's almost like it's not the same band anymore, even if it is still the same band with the same band members.

But thankfully, they manage to introduce their new image with the masterpiece that is known as the first single off the album, What I've Done. Even if you don't like the album, you can't deny that this is a great song.

The song and it's video became the best way to re-introduce themselves to the world of music. With its apocalyptic themes, melodic lyrics and classic alternative structure that connects perfectly to the video that is the very meaning of the word doomsday. It showcases a really cool performance of the band, but the highlight is really the footages of the most daunting and scary real life events of mass destruction, corruption and world domination. If you could sum up the world at its darkest hour with a footage of a rock band's performance, this is that video. 

No words. Just, no words... 

So there you have it, I hope you guys enjoy this list. Be sure to stay tune for Linkin Park's TOP 5 Worst Music Videos. 

Honorable Mentions:

Papercut

Breaking The Habit

Waiting For The End

Castle Of Glass

"Linkin Park- RECHARGED" Album REVIEW

If you think "A Thousand Suns" was polarizing, wait 'till you hear "Recharged"...

NU METAL IS DYING, OR IT IS ALREADY  DEAD. BUT NOT LINKIN PARK. Through out the years Chester Bennington, Mike Shinoda and the crew has explored different types of music, experimented with different sounds, resulting to three records that has since been dimmed "different" from their previous works; "Minutes to Midnight" explored a more traditional sound of rock n' roll with a dash of hip-hop balanced with heavy and melodic songs you kinda didn't expect from the band, the band then went hard rock on "A Thousand Suns" but instead of using basic instruments the band decided to bombard the record with much more electronic sounds and much more aggressive and preachy lyrics resulting the creation of an electronic rock music adventure of our terrors and fears of Armageddon, then their latest effort "Living Things" which recipes included the sound of their previous records using the same utensils resulting an average, generic, half baked record you'd expect from the band if they didn't put much effort to it. This experimentation has been proven effective as the band and their music stayed relevant through out their career and manages to maintain a strong fan base. Truth be told, with "Reanimation" (a remix record of their debut masterpiece "Hybrid Theory") remixes are nothing new for the band, but "reinterpretations" are, whatever that means. As a filler for their upcoming 6th studio album, the band has released "Recharged", a remix record for their previous release Living Things. Both Reanimation and Recharged represented the modern sound of electronic music of it's time. Reanimation on one hand still retains it's identity as an alternative Hybrid Theory, in spite of all the electronic sound, the beefy influences of underground hip hop music, the record at least can still be considered "nu metal". But what about Recharged? is it still identical as a Linkin Park record?

The Review

The album kicks off with the lead single and the only original composition for the record "A Light That Never Comes", the result of a collaboration between the band and music producer Steve Aoki. Regarding the song, Mike Shinoda quoted "...right off the bat you get a taste of every thing, it's sounds like you but it sounds like us..." and the song does its job really well. This song represents what the band wants the record to sound like, an extravagant EDM adventure mixed with the modern Linkin Park sound. Unfortunately, the song isn't perfect. With the outrageous fusion of sounds electronic, rock and rap alike that is quite deafening. Nothing was ever ground breaking about this song, pretty much the same thing we've heard from both Steve Aoki and Linkin Park just deconstructed and pieced together to form just another song. Regardless of how generic the song sounds, the song is a sure party banger that could drive the crowd nuts. Expect this song to stay on their setlist for a period of time. 

The problem arises with the rest of the songs. Given the fact that Living Things isn't as momentous as Hybrid Theory, the songs could be either improved or degraded. Sadly most of them are degraded. Mike Shinoda's remixes of "Castle of Glass" and "Victimized" (under the name M. Shinoda) felt awkward as these are heavy and striking songs and you get the feeling Mike just wanted to show off his skills as a producer as he harassed them with good electronic dance beats resulting to a second-rate dance songs with their melodic powers from their original incarnations taken away from them. Mike Shinoda isn't the only one who has committed this crime as artist like KillSonik, Dirtyphonics, Rad Omen, Enferno, Toon Swoon and Dastik had their fair share of middling "reinterpretations" of the already middling songs of Linkin Park. The album also had two versions of both "I'll Be Gone" and "Until It Breaks", one is exceptionally good the other was completely unnecessary. But enough of the bad stuff, time to move on with the good material. Gladly, we get to have remixes that are as good as their original versions. Both Vice remix of "I'll Be Gone" with Pusha T and Money Mark's version of "Until It Breaks" gives you a taste of what this remix record should sound like; a group of musicians and artist a like doing their own rendition of the songs without taking away the identity of these songs that was given to us by Linkin Park. The album also closes with Rick Rubin's more conventional and stripped down mix of "A Light That Never Comes" which drifts apart from the electronic/dance singularity of the album.

Final Verdict

What should have been a record about Linkin Park gathering artist of the electronic/dance/hip-hop medium have their songs remixed under the band's supervision so that the personality of the songs stays intact inspite of the changes made. Instead, we got a record about different artist reinterpret Linkin Park's song into their own song without any boundaries having the bands sound stripped down to minimal samples resulting to a record about these artist killing off Living Things. This should have been Linkin Park feat. Steve Aoki, KillSonik, Dastik etc. not Steve Aoki, KillSonik, Dastik etc. featuring Linkin Park. Maybe "A Light That Never Comes" could have worked better as an EP, or a non-album single.